【示例二】我喜歡“斫去桂婆娑,人道是,清光更多”。這里的“桂婆娑”指帶給人民黑暗的婆娑桂影,它不僅包括南宋朝廷內(nèi)外的投降勢(shì)力,也包括了金人的勢(shì)力。作者在這一句中,運(yùn)用神話傳說(shuō),以超現(xiàn)實(shí)的奇思妙想,表達(dá)渴望掃除黑暗,讓光明普照人間的愿望?!驹O(shè)計(jì)意圖】在這一環(huán)節(jié),引導(dǎo)學(xué)生先理解詞作的意思和情感再誦讀,加深學(xué)生對(duì)詞作的印象,提升學(xué)生對(duì)詞作的誦讀感悟能力。五、反復(fù)誦讀,默寫詩(shī)詞1.學(xué)生獨(dú)立背誦。2.同桌互相檢查背誦。3.開展背誦比賽。4.集體默寫四首詞。結(jié)束語(yǔ):誦讀古詩(shī)詞,可以陶冶我們的情操,激發(fā)我們的想象力,與古人對(duì)話。希望同學(xué)課下能自主閱讀一些經(jīng)典古詩(shī)詞,在感受它們魅力的同時(shí)提升我們的文學(xué)素養(yǎng)?!驹O(shè)計(jì)意圖】在前面幾個(gè)環(huán)節(jié),學(xué)生已經(jīng)從不同層次誦讀了四首詞,對(duì)這四首詞有了一定的理解。本環(huán)節(jié)讓學(xué)生在此基礎(chǔ)上用不同方式背誦,加深記憶。
本篇故事雖短,但記述簡(jiǎn)潔生動(dòng),情趣盎然,人物形象鮮明,哲理深入淺出,是學(xué)生了解傳統(tǒng)文化,學(xué)習(xí)淺易文言文,增強(qiáng)文言語(yǔ)感的經(jīng)典文言小品文。所以本教學(xué)設(shè)計(jì)首先注重落實(shí)字詞基礎(chǔ);然后用搶答的方式幫助學(xué)生理解課文內(nèi)容;再以人物為核心,細(xì)讀課文,通過(guò)表演的方式,抓住重點(diǎn)實(shí)詞、虛詞,揣摩人物的心理和個(gè)性特點(diǎn),了解文言語(yǔ)言簡(jiǎn)潔精練的特點(diǎn),激發(fā)學(xué)生學(xué)習(xí)文言文的興趣。通過(guò)質(zhì)疑探究,走進(jìn)文本背后,引導(dǎo)學(xué)生學(xué)習(xí)探究文言故事的方法,培養(yǎng)學(xué)生獨(dú)立思考、質(zhì)疑探究的能力。文學(xué)知識(shí)筆記體小說(shuō)筆記體小說(shuō)指具有小說(shuō)性質(zhì),介于隨筆和小說(shuō)之間的一種文體,是中國(guó)古典小說(shuō)的一種。筆記體小說(shuō)多以人物趣聞逸事、民間故事傳說(shuō)為題材,具有寫人粗疏、敘事簡(jiǎn)約、篇幅短小,形式靈活、不拘一格的特點(diǎn)。筆記體小說(shuō)的起源可以追溯到南朝劉義慶的《世說(shuō)新語(yǔ)》。代表作有清代紀(jì)昀的《閱微草堂筆記》等。
資料鏈接1.《黃河大合唱》《黃河大合唱》是由光未然作詞、冼星海譜曲的一部大型合唱音樂作品,有《黃河船夫曲》《黃河頌》《黃河之水天上來(lái)》《黃水謠》《河邊對(duì)口曲》《黃河怨》《保衛(wèi)黃河》《怒吼吧,黃河!》八個(gè)樂章。詩(shī)中將雄奇的想象與現(xiàn)實(shí)的圖景結(jié)合在一起,組成了一幅幅壯闊的歷史畫卷。2.中華民族精神中華民族在悠久的發(fā)展歷史中,積淀和形成了自己獨(dú)特而偉大的民族性格和民族精神。中華文化的基本精神,表現(xiàn)了自強(qiáng)不息、居安思危、厚德載物、樂天知足、崇尚禮儀等特征。中華文化的力量,集中體現(xiàn)為民族精神的力量。中華民族精神的核心是愛國(guó)主義。這種精神就像是泰山、長(zhǎng)城一般壯麗地雄峙于世界的東方!疑難探究如何把握《黃河頌》語(yǔ)言上的特點(diǎn)?這首歌詞寫得明快雄健,節(jié)奏鮮明,音節(jié)洪亮。以短句為主,兼以長(zhǎng)句;長(zhǎng)短結(jié)合,自由奔放并且錯(cuò)落整齊。在韻腳上,隔二三句押韻,形成了自然和諧的韻律。
【設(shè)計(jì)意圖】本環(huán)節(jié)既總結(jié)了學(xué)習(xí)的內(nèi)容,也拓展了文章的主題;引導(dǎo)學(xué)生理解長(zhǎng)征精神在當(dāng)今時(shí)代的作用、意義,并傳承長(zhǎng)征精神,接受革命傳統(tǒng)教育。四、總結(jié)存儲(chǔ)1.教師總結(jié)。文章在敘述紅軍翻越老山界的經(jīng)過(guò)中,進(jìn)行了富有抒情氣息的描寫,展現(xiàn)了紅軍偉大的精神力量,也讓我們感受到了長(zhǎng)征歲月中浪漫的英雄情懷。歲月滄桑,斗轉(zhuǎn)星移,中國(guó)已發(fā)生翻天覆地的變化,長(zhǎng)征精神亦成為中華民族的寶貴精神財(cái)富。年輕一代的我們,應(yīng)堅(jiān)定信念,弘揚(yáng)長(zhǎng)征精神,為中華民族的偉大復(fù)興而努力,彈奏新征途的“天籟之音”。2.布置作業(yè)。(1)課外選讀:《大渡河畔英雄多》(楊得志)、《越過(guò)夾金山,意外會(huì)親人》(楊成武)。(2)以小組為單位編寫一期有關(guān)長(zhǎng)征精神的手抄報(bào),參加班級(jí)展示活動(dòng)。
素養(yǎng)提升作文中怎樣運(yùn)用“以小見大”的寫作手法(1)以小人物見大。這里的“小人物”是指在社會(huì)上不出名、沒有影響的人。以小人物見大,即以生活中平凡的小人物為敘寫對(duì)象,通過(guò)塑造小人物的形象,揭示其閃光的品質(zhì),彰顯其偉大的人格,折射出底層人民的光芒,喻人以大道理,動(dòng)人以大感情,從而起到激勵(lì)、感化讀者的大作用。(2)以小事見大??梢酝ㄟ^(guò)敘寫生活中極其平常的小事闡述一個(gè)大的道理。文化常識(shí)典故故事——君子之交“君子之交”語(yǔ)出《莊子·山木》:“且君子之交淡若水,小人之交甘若醴;君子淡以親,小人甘以絕?!本又?,意思是賢者之間的交情,平淡如水,不尚虛華。唐貞觀年間,薛仁貴尚未得志之前,與妻子住在一個(gè)破窯洞中,衣食無(wú)著落,全靠王茂生夫婦接濟(jì)。后來(lái),薛仁貴參軍,在跟隨唐太宗李世民御駕東征時(shí),立下汗馬功勞,被封為“平陽(yáng)郡公”。一登龍門,身價(jià)百倍,前來(lái)送禮祝賀的文武大臣絡(luò)繹不絕,可都被薛仁貴婉言謝絕了。
本教學(xué)設(shè)計(jì)著眼于民歌特點(diǎn)。第1課時(shí)重在誦讀詩(shī)歌,設(shè)計(jì)不同層次的讀,引導(dǎo)學(xué)生從詩(shī)歌的形式、節(jié)奏、韻律、情感四個(gè)方面感受民歌形式自由、具有韻律美、節(jié)奏感強(qiáng)、情感富于變化的特點(diǎn),從而體會(huì)民歌的情味。第2課時(shí)重在品讀詩(shī)歌,引導(dǎo)學(xué)生通過(guò)品析情節(jié)、品味語(yǔ)言、析讀主題等方式,體會(huì)詩(shī)歌語(yǔ)言剛健明朗而質(zhì)樸生動(dòng)的特點(diǎn),逐層解讀民歌所塑造的傳奇形象,并理解民歌所傳達(dá)的愛國(guó)情懷。素養(yǎng)提升互 文互文,也叫互辭,是古詩(shī)文中常用的一種修辭手法。古文中對(duì)它的解釋是:“參互成文,合而見義?!本唧w地說(shuō),它是這樣一種表現(xiàn)形式:上下兩句或一句話中的兩個(gè)部分,看似各說(shuō)兩件事,實(shí)則是互相呼應(yīng),互相闡發(fā),互相補(bǔ)充,說(shuō)的是一件事。即上下文義互相交錯(cuò)、互相滲透、互相補(bǔ)充地來(lái)表達(dá)一個(gè)完整的意思。初中階段,常見的互文一般有三類:(1)單句互文單句互文,即在同一個(gè)句子中前后兩個(gè)詞語(yǔ)在意義上相互交錯(cuò)、滲透、補(bǔ)充。如:秦時(shí)明月漢時(shí)關(guān)。
我將根據(jù)新的語(yǔ)文能力實(shí)踐系統(tǒng),致力于學(xué)生語(yǔ)文綜合素質(zhì)的提高,促進(jìn)語(yǔ)文課程的呈現(xiàn)方式和學(xué)生學(xué)習(xí)方式的轉(zhuǎn)變,確立學(xué)生在學(xué)習(xí)中的主體地位,努力給學(xué)生創(chuàng)造一個(gè)有利于素質(zhì)教育的空間?! ?duì)于小學(xué)語(yǔ)文教學(xué)來(lái)說(shuō),既要轉(zhuǎn)變教的方式又要轉(zhuǎn)變學(xué)的方式,培養(yǎng)和形成“自主、合作、探究”的學(xué)習(xí)方式,在這兩個(gè)轉(zhuǎn)變中,教的方式轉(zhuǎn)變是主要矛盾。教的方式一轉(zhuǎn)變,學(xué)的方式也隨之轉(zhuǎn)變。學(xué)的方式轉(zhuǎn)變可以理情地在課堂中呈現(xiàn),證明教的方式轉(zhuǎn)變,證明教師新理念的真正樹立。課改實(shí)踐告訴我們,沒有堅(jiān)定的新課程理念,真正意義上的教與學(xué)方式的轉(zhuǎn)變是不可能的。把課標(biāo)學(xué)習(xí)與教材教法研究結(jié)合起來(lái):要鉆研新教材,理解和把握新教材,用好新教材,要重視教學(xué)反思,個(gè)案研究和收集,要牢記驗(yàn)證課標(biāo)和檢驗(yàn)教材的實(shí)驗(yàn)任務(wù)。
一、 說(shuō)教材、目標(biāo)這部分內(nèi)容建立在學(xué)生對(duì)一元一次方程、二元一次方程組和一元一次不等式等以一次(線性)運(yùn)算為基礎(chǔ)的數(shù)學(xué)模型的已有認(rèn)識(shí)上,從變化和對(duì)應(yīng)的角度對(duì)一次運(yùn)算進(jìn)行更深入的討論。從函數(shù)的角度對(duì)一次方程(組)、不等式重新進(jìn)行了分析,這種再認(rèn)識(shí)不是對(duì)原有知識(shí)的簡(jiǎn)單回顧復(fù)習(xí),而是站在更高起點(diǎn)上的動(dòng)態(tài)分析,是用一次函數(shù)將上述三個(gè)不同的數(shù)學(xué)對(duì)象起來(lái)認(rèn)識(shí),發(fā)揮函數(shù)對(duì)相關(guān)內(nèi)容的統(tǒng)領(lǐng)作用。通過(guò)這部分內(nèi)容的學(xué)習(xí),不僅可以加深學(xué)生對(duì)方程(組)、不等式等數(shù)學(xué)對(duì)象的理解,而且可以增強(qiáng)對(duì)相關(guān)知識(shí)的內(nèi)在聯(lián)系的認(rèn)識(shí),加強(qiáng)知識(shí)間橫向與縱向的融會(huì)貫通,提高靈活分析和解決問題的能力。本節(jié)課是在前兩節(jié)課已經(jīng)學(xué)完了一次函數(shù)與一元一次方程、一元一次不等式的聯(lián)系之后,對(duì)一次函數(shù)與二元一次方程(組)關(guān)系的探索,是對(duì)一次函數(shù)及其相關(guān)內(nèi)容更深入、更全面的學(xué)習(xí),也是對(duì)這部分內(nèi)容的一個(gè)提升和總結(jié)。
詞人如此有違常規(guī),造成了一種拗峭不凡的氣勢(shì),詞意更加縱橫馳騁,抒情更加酣暢淋漓。2.如何理解《滿江紅》(小住京華)中的“俗子”?從這首詞的語(yǔ)境來(lái)看,“俗子”當(dāng)指詞人的丈夫。這與“八年風(fēng)味”的婚姻反思,與“青衫濕”的悲情是前后呼應(yīng)的。秋瑾在后來(lái)寫的一首《沁園春》中說(shuō):“有多少,遇王郎天壤,辜負(fù)才華。”在長(zhǎng)篇彈詞《精衛(wèi)石》中說(shuō):“道韞文章男不及,偏遇個(gè)天壤王郎冤不冤?!边@些詞句,都是借謝道韞所嫁非人,間接抒發(fā)了她對(duì)婚姻的失望。王郎天壤(天壤王郎),是謝道韞鄙薄她丈夫王凝之的話,出自《世說(shuō)新語(yǔ)·賢媛》:“一門叔父,則有阿大、中郎;群從兄弟,則有封、胡、遏、末,不意天壤之中,乃有王郎!”當(dāng)然,從廣義上理解,這首詞中的“俗人”,也可泛指世俗之人。秋瑾到日本后寫的《鷓鴣天》詞中,有“祖國(guó)沉淪感不禁,閑來(lái)海外覓知音”的詞句,可見“覓知音”意指尋求救國(guó)之道,不一定指?jìng)€(gè)人的情感問題。
海倫·凱勒一歲多時(shí)不幸染上疾病,致使她雙目失明、雙耳失聰,隨之又喪失了說(shuō)話的能力。從此,她墜入了一個(gè)黑暗而沉寂的世界,陷入了痛苦的深淵。17歲,海倫·凱勒考進(jìn)哈佛大學(xué),還掌握了英、法、德、拉丁和希臘五種語(yǔ)言。大學(xué)期間,她開始寫作。畢業(yè)后,她把自己的一生獻(xiàn)給了盲人福利和教育事業(yè),并在繁忙的工作中先后完成了14部具有世界影響的著作,最著名的是其自傳《假如給我三天光明》。海倫·凱勒無(wú)比敬愛和感激自己的老師莎莉文,她說(shuō):“假如給我三天光明,我首先要長(zhǎng)久地凝視我的老師——安妮·莎莉文!”海倫把自己的學(xué)習(xí)分成四個(gè)步驟:1.每天用三個(gè)小時(shí)自學(xué)。2.用兩個(gè)小時(shí)默記所學(xué)的知識(shí)。3.再用一個(gè)小時(shí)的時(shí)間將自己用三個(gè)小時(shí)所學(xué)的知識(shí)默寫下來(lái)。4.剩下的時(shí)間她運(yùn)用學(xué)過(guò)的知識(shí)練習(xí)寫作。在學(xué)習(xí)與記憶的過(guò)程中,她只有一個(gè)信念:她一定能夠把自己所學(xué)習(xí)的知識(shí)記下來(lái),使自己成為一個(gè)有用的人。她每天堅(jiān)持學(xué)習(xí)10個(gè)小時(shí)以上,經(jīng)過(guò)長(zhǎng)時(shí)間的刻苦學(xué)習(xí),她掌握了大量的知識(shí),能熟練地背誦大量的詩(shī)詞和名著的精彩片段。
在人物方面,劉慈欣的小說(shuō)繼承了古典科幻小說(shuō)中的人物塑造規(guī)律,即無(wú)論是技術(shù)專家還是普通人,他們一定要在社會(huì)的變革中被推向改變世界的精英舞臺(tái)。在情感線索方面,劉慈欣與其他新生代作家的主要區(qū)別是,他很少將男女關(guān)系置于情感的中心位置(雖然他的男女情感寫得細(xì)膩而成熟)……在他的作品中,科學(xué)的詩(shī)意永遠(yuǎn)是一種基本情調(diào)。疑難探究如何理解小說(shuō)中的“我”和小姑娘這兩個(gè)人物形象?小說(shuō)的主要人物是“我”與“她”(小姑娘)。“我”是小說(shuō)的敘事者,也是小說(shuō)中“行動(dòng)著”的人,起著串聯(lián)情節(jié)的作用。“我”的性格既有開朗熱情的一面,也有灰色傷感的另一面,內(nèi)心深處的悲憫情懷,使“我”這個(gè)形象更加豐滿。小姑娘作為地航飛船的領(lǐng)航員,身處險(xiǎn)境而不驚恐,不慌亂,還不告訴“我”自己所處的位置,不傾訴自己的郁悶,以大無(wú)畏的精神繼續(xù)堅(jiān)守崗位,不僅表現(xiàn)出勇敢、樂觀、堅(jiān)韌的品質(zhì),更帶有一種悲壯的英雄主義色彩。
設(shè)問2:第3段和第4段都寫繁華,兩段的區(qū)別是什么?預(yù)設(shè) 第3段是概括總寫繁華景象,第4段則是具體描繪繁華景象。兩段之間是從概括到具體的邏輯關(guān)系?!驹O(shè)計(jì)意圖】通過(guò)細(xì)讀課文,讓學(xué)生在把握生字詞的基礎(chǔ)上對(duì)課文有初步的感知,可以用簡(jiǎn)單的詞語(yǔ)概括作者所感知畫面的整體特點(diǎn),而且能夠用文中具體的語(yǔ)句加以印證。以此訓(xùn)練學(xué)生自主把握文章重要信息的能力。三、自主探究尋繁華1.瀏覽課文,理清全文的說(shuō)明順序設(shè)問1:作者介紹了這幅畫哪些方面的信息?在文中進(jìn)行勾畫批注,并說(shuō)說(shuō)文章可分為哪幾個(gè)部分,概括主要意思。(生瀏覽勾畫,批注交流)預(yù)設(shè) 文章分為三個(gè)部分:第1段:介紹這幅畫作的創(chuàng)作背景,引出本文的說(shuō)明對(duì)象——《清明上河圖》。第2段:介紹了這幅畫作的作者張擇端及其創(chuàng)作動(dòng)機(jī)。
預(yù)設(shè) 清政府派遣這些留學(xué)生去國(guó)外留學(xué),目的是學(xué)習(xí)國(guó)外先進(jìn)的科學(xué)技術(shù),回來(lái)報(bào)效國(guó)家,然而實(shí)際上他們?cè)趪?guó)外不學(xué)無(wú)術(shù),忘記了自身使命和肩上的責(zé)任。作者在描寫完留學(xué)生的這些丑態(tài)之后,采用了反語(yǔ)的手法,用一句話進(jìn)行了總結(jié)——“實(shí)在標(biāo)致極了”,仿佛是壓抑不住的火山爆發(fā),極盡諷刺之能事,酣發(fā)鄙夷、憎惡之胸臆。師:作者在這里采用了反語(yǔ)的手法,暗諷“清國(guó)留學(xué)生”們的丑態(tài),除此之外,文中還有哪些地方運(yùn)用了這種手法?預(yù)設(shè) 作者稱日俄戰(zhàn)爭(zhēng)時(shí)的日本學(xué)生為“愛國(guó)青年”,說(shuō)自己國(guó)內(nèi)的論敵為“正人君子”,都是運(yùn)用反語(yǔ)進(jìn)行嘲諷。又如說(shuō)日本對(duì)醫(yī)學(xué)的翻譯“并不比中國(guó)早”,說(shuō)日本青年雖抗議托爾斯泰引用《新約》中的話,但他們“暗地里卻早受了他的影響了”,都是話里有話,含義無(wú)窮的?!驹O(shè)計(jì)意圖】此環(huán)節(jié)通過(guò)“咬文嚼字”,讓學(xué)生學(xué)會(huì)從字里行間來(lái)品析文章深意,同時(shí)使學(xué)生進(jìn)一步揣摩魯迅先生“幽默諷刺、含蓄深蘊(yùn)”的語(yǔ)言風(fēng)格。
文帝之后六年,匈奴大入邊。乃以宗正劉禮為將軍,軍霸上;祝茲侯徐厲為將軍,軍棘門;以河內(nèi)守亞夫?yàn)閷④?,軍?xì)柳:以備胡。這一段主要圍繞“大入邊”之“大”來(lái)構(gòu)建段落。整段文字看似與“大”無(wú)關(guān),實(shí)則處處圍繞“大”字做文章。寫漢文帝三封將軍“以備胡”,這是從內(nèi)容上寫胡人“入邊”之“大”:邊關(guān)吃緊,戰(zhàn)勢(shì)嚴(yán)峻。為了達(dá)到內(nèi)容與形式的珠聯(lián)璧合,司馬遷在言語(yǔ)上連用三個(gè)“以……為……”的排比句式,以排山倒海的“聲”勢(shì)從言語(yǔ)上體現(xiàn)了“大”,以此增強(qiáng)文章的氣勢(shì),形成一種“山雨欲來(lái)風(fēng)滿樓”的危急感。不僅如此,司馬遷甚是在意言語(yǔ)細(xì)節(jié)。在連用三個(gè)“以……為……”時(shí),打破言語(yǔ)的慣性,突然在第二個(gè)“以……為……”中省略了“以”字,這看似唐突,實(shí)則其心可鑒,省略第二個(gè)“以”字后,“以宗正劉禮為將軍,軍霸上;祝茲侯徐厲為將軍,軍棘門”不僅在視覺上間隔縮短,而且在朗讀時(shí)彼此節(jié)奏加緊,聯(lián)系更加緊密,軍情更顯危急,胡人“入邊”之形勢(shì)就顯得更“大”了。而且,三個(gè)“以……為……”;“……為……”;“以……為……”之間張弛有度,一緊一松,營(yíng)造了語(yǔ)勢(shì)上的跌宕起伏,極具音韻之美。
3. 同學(xué)們,我們?cè)購(gòu)谋磉_(dá)方式方面去考慮一下。教師指正:寫景、抒情、議論相結(jié)合。這是一首雄壯的抒情詞作。上闋寫景,氣勢(shì)磅礴、氣象雄渾,而又寓情于景,句句洋溢著熱愛祖國(guó)河山的豪情。下闋議論,由評(píng)論歷史人物轉(zhuǎn)到歌頌當(dāng)代無(wú)產(chǎn)階級(jí)英雄,抒發(fā)作者的豪情壯志。全詞熔寫景、議論和抒情于一爐,使主題鮮明突出,表現(xiàn)出強(qiáng)烈的藝術(shù)效果。五、 課堂檢測(cè),當(dāng)堂反饋要求學(xué)生當(dāng)堂做完下列題目,師生再共同訂正,看看還有哪些知識(shí)沒有掌握,教師及時(shí)要求學(xué)生鞏固。六、知識(shí)遷移,拓展延伸1. 請(qǐng)同學(xué)們下面讀一下柳宗元的《江雪》,回答后面的問題。教師:唐代著名文學(xué)家柳宗元寫過(guò)的這首《江雪》,言簡(jiǎn)意深。請(qǐng)同學(xué)們思考分析,這首詩(shī)與《沁園春·雪》在感情基調(diào)上有什么不同?是什么原因造成的? 教師指正:柳宗元因參加革新運(yùn)動(dòng)失敗而遭貶,他的政治思想和遠(yuǎn)大抱負(fù)不能實(shí)現(xiàn),內(nèi)心的苦惱與憤懣反映在詩(shī)中,就是那個(gè)卓爾不群、孤芳自賞、“獨(dú)釣寒江雪”的“蓑笠翁”。而毛澤東的詞作大氣磅礴,格調(diào)高亢,充滿了熱愛祖國(guó)河山、以天下為己任的豪情壯志。這種差別,主要是由于作者所處的時(shí)代、境遇,特別是胸懷的闊狹造成的。
四、品讀揣摩詩(shī)歌情志1.讀出意境畫面。師:請(qǐng)同學(xué)們以小組為單位,齊聲朗讀詩(shī)歌,然后合作交流,探究下面問題。(1)詩(shī)人用了哪些意象來(lái)表現(xiàn)晚春景色?詩(shī)人用了什么手法來(lái)寫晚春景物?取得了怎樣的藝術(shù)效果?(2)詩(shī)歌一、二句寫出了怎樣的晚春景致?請(qǐng)同學(xué)們用自己的語(yǔ)言描繪出來(lái)。(3)詩(shī)的三、四句意蘊(yùn)深刻,為歷代傳誦。請(qǐng)從修辭手法的角度對(duì)這兩句詩(shī)進(jìn)行賞析。(生齊讀后,小組交流、討論問題,師指導(dǎo)明確)預(yù)設(shè) (1)詩(shī)人用了草樹、楊花、榆莢等意象表現(xiàn)晚春景色。一個(gè)“斗”字,運(yùn)用擬人的修辭手法,把花朵人格化,形象生動(dòng)地寫出了晚春時(shí)節(jié)花草樹木爭(zhēng)芳斗艷的美麗景象。花草樹木仿佛都有了情思,有了個(gè)性,成了精靈,使描繪的晚春景致生動(dòng)而有情趣。
Step 3 Analyzing article structureActivity 31. Teachers raise questions to guide students to analyze the chapter structure of this diary and think about how to describe the festival experience. (1)What should be included in the opening/body/closing paragraph(s)?(2)How did the writer arrange his/her ideas?(3)What kind of interesting details did the writer describe?(4)How did the writer describe his/her feelings/emotions during the event?2. Students read and compare the three sentence patterns in activity 2. Try to rewrite the first paragraph of the diary with these three sentence patterns. After that, students exchange corrections with their partners. Such as:●This was my first time spending three days experiencing the Naadam Festival in China’s Inner Mongolia Autonomous Region and it was an enjoyable and exciting experience. ●I'll never forget my experience at the Naadam Festival because it was my first time to watch the exciting Mongolian games of horse racing, wrestling, and archery so closely. ●I'll always remember my first experience at the Naadam Festival in China’s Inner Mongolia Autonomous Region because it was so amazing to spend three days witnessing a grand Mongolian ceremony. Step 4 Accumulation of statementsActivity 41. Ask the students to read the diary again. Look for sentences that express feelings and emotions, especially those with the -ing form and the past participle. Such as:● …h(huán)orse racing, wrestling, and archery, which are all so exciting to watch. ● some amazing performances● I was surprised to see…● I was a little worried about. . . ● feeling really tiredOther emotional statements:●I absolutely enjoyed the archery, too, but the horse races were my favourite part. ●I'm finally back home now, feeling really tired, but celebrating Naadam with my friend was totally worth it. ●He invited me back for the winter to stay in a traditional Mongolian tent and cat hot pot. I can’t wait!2. In addition to the use of the -ing form and the past participle, the teacher should guide the students in the appreciation of these statements, ask them to memorize them, and encourage them to use them reasonably in writing practice.
The themes of this part are “Talk about how to become an astronaut” and “Talk about life in space”. As Neil Armstrong said “Mystery creates wonder and wonder is the basis of man’s desire to understand. Space is difficult for human to reach, therefore, humans are full of wonders about it. However, if wanting to achieve the dream of reaching the Moon, some of our human should work hard to be an astronaut at first. Part A(Talk about how to become an astronaut) is a radio interview in a radio studio, where the host asked the Chinese astronauts about his story how to become an astronaut. Yang Liwei told his dreamed to be an astronaut since childhood. Then he worked hard to get into college at 22. The next 10 years, he gradually became an experienced pilot. At the same time, to be an astronaut, he had to study hard English, science and astronomy and trained hard to keep in good physical and mental health and to practise using space equipment. Part B (Talk about life in space) is also an interview with the astronaut Brown, who is back on the earth. The host Max asked about his space life, such as his emotion about going back the earth, the eating, shower, brushing, hobbies and his work. Part A and Part B are interviews. So expressing curiosity about the guests’ past life is a communicative skill, which students should be guided to learn.1. Students can get detailed information about how Yang Liwei became an astronaut and Max’s space life.2. Students learn to proper listening strategy to get detailed information---listening for numbers and taking notes.3. Students can learn related sentences or phrases to express their curiosity like “ I wish to know...” “I’d love to know...”4. Students can learn more about the space and astronauts, even be interested in working hard to be an astronaut
The theme of this unit focuses on “space exploration.” Students will learn about the training and experience needed to become an astronaut. The text is mainly about the development of space exploration. On the one hand, the text helps students to have a good understanding about the great feats humans have achieved, on the other hand, they will further understand the contributions that we Chinese have achieved, and feel confident and proud about our homeland and strengthen their love for our country. The teacher should instruct students to aim high and study harder to make great progress in the space career if possible.1. Read about the development and value of space exploration.2. Explore the mysteries of the universe and the achievements in space exploration.3. Skillfully use the vocabulary of this text to cultivate self-study ability 4. Develop cooperative learning ability through discussion.1. Enable the Ss to talk about the development and value of space exploration.2. Guide the Ss to summarize the main idea of each paragraph as well as the main idea of the text.3. Help Ss comprehend the main reasons for space exploration. Multi-media, textbook, notebooks.Step 1: Warming up and predictionLook at the title and the pictures of the text and predict what the text will be about?2. What are the main reasons for space exploration?
⑦在我看來(lái), 探索太空是值得的。As far as I am concerned, it is worthwhile to explore the space.Step 10 Writing---draftRecently, students in our class have had heated a discussion on whether space is worth exploring. Students hold different ideas about it.30% of us think space exploration is not worthwhile. They think space is too far away from us and our daily life and is a waste of money. And the money spent on space exploration can be used to solve the earth’s problems such as starvation and pollution.On the other hand,70% think space is worth exploring because we have benefited a lot from it,such as using satellites for communication and weather forecast. What’s more,with further space research,we may solve the population problem by moving to other planets one day. Also,space research will enable us to find new sources to solve the problem of energy shortages on the earth.As far as I am concerned, it is worthwhile to explore the space. Not only can it promote the development of society but also enrich our life. Step 11 Pair workExchange drafts with a partner. Use this checklist to help your partner revise his/her draft.1.Does the writer explain why he/she changed/wanted to change?2.Does the writer tell how the changes have improved or will improve his/her life?3.Is the text well-organised?4.Does the writer use words and expressions to show similarities and differences?5.Are there any grammar or spelling errors?6.Does the writer use correct punctuation?